Considering the Screw Cap

This article I came across by Etty Lewensztain got me to thinking about screw caps and wine. Now if you ever want a serious discussion on wine, just bring up the subject of cork vs. screw cap. This topic is like having a dinner party and bringing up politics and religion- yikes!

Do screw caps on wine turn you off? Ever find yourself skipping right past a seemingly solid bottle at your local wine shop merely because it bears a decidedly unsexy twist top instead of a classic, old-school cork? Well let me tell you, you’re not alone!

The growing prevalence of screw caps as an alternative wine closure to corks has generated lots of dissent from savvy wine consumers who refuse to purchase wines sealed with screw caps, irrelevant of what’s in the bottle. The common complaint is that screw caps look cheap and that they’ve caused the demise of tradition. People, it seems, are missing that time-worn ritual of hearing the cork pop. Odd, perhaps, but true.

While I admit that natural corks might be more aesthetically pleasing than screw caps, they do pose the risk of tainting wine with fungi called TCA (2,4,6-trichloroanisole) and TBA (2,4,6-tribromoanisole). TCA and TBA can travel through a cork’s pores, leach out of the cork into the wine, and render it undrinkable, imparting foul aromas of wet cardboard, mold, band-aid, or wet dog, and subduing the wine’s native aromas.

Despite their less than elegant appearance, screw caps completely eliminate the risk of TCA or TBA contamination, AKA “cork taint,” which for wineries and consumers alike, can be a great thing. Wouldn’t you rather purchase a wine that is guaranteed to be in perfect condition, as opposed to taking a chance on a wine sealed with a cork, even if it means sacrificing the ceremony?

While screw caps do have their merits, they’ll never be able to replace natural corks completely. Unlike natural corks, screw caps are hermetically sealed and prevent the flow of oxygen into a wine. For this reason, they are best reserved for wines that don’t require aging and oxygenation, and that are meant to be drunk young and fresh within a few years of their vintage date. This holds true for whites, rosés, and reds alike.

Wines that are built for cellaring should pretty much always be bottled under natural cork, not screw cap. Corks serve an extremely important role in the aging process since they are porous in nature, which enables the flow of oxygen into the wine, allowing the wine to evolve over time and develop secondary characteristics, including new aromas and flavors. Oxygen can also alter a wine’s texture and has the ability to soften a young wine’s harsh tannins, rendering it rounder and more supple with time.

A notable downside to wines bottled under screw cap is the risk of reduction, which can result from an extreme lack of oxygen flow into the wine. Reductive aromas include rotten eggs, burnt rubber, or struck matches. While it’s something to look out for, reduction has not yet become a widespread problem with wines sealed under screw cap, so fear not.

At the end of the day, both natural corks and screw caps have a purpose to serve.

Etty Lewensztain is the owner of Plonk Wine Merchants, an online shop focused on small-production, artisanal and altogether great cheap wine. The food- and wine- obsessed Los Angeles native cut her teeth in the wine biz running a marketing campaign to promote Chilean wine in the United States, and is certified by the esteemed Wine & Spirit Education Trust (WSET) and the American Sommelier Association. Plonk Wine Merchants specializes in hidden gems from around the globe and every bottle in the store is priced below $30. Follow Plonk Wine Merchants on Twitter @ PlonkOnline.

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Cooking Schools On Line

I came across this a couple of weeks ago and I still cant believe it. This is on line cooking school is being offered by the people who do Cooks Illustrated. I think it is a fabulous offer and what a great way to get your cooking skills up and running. I have a great deal of respect for the magazine, their cooking show and their cook books. I always recommend them to my clients. Here is the website: http://www.testkitchenschool.com/

    • Learn how to cook—not just follow recipes—and guarantee a lifetime of better cooking
    • Work one-on-one with real test cooks to help find solutions and get personalized feedback
    • Learn the America’s Test Kitchen way and discover our revolutionary methods and techniques
    • Enjoy the best of “traditional” cooking classes combined with our cutting-edge technology
    • Start anytime—day or night—and take lessons at your own pace and on your own schedule
    • Membership is monthly, so you can take as many courses as you like — cancel anytime
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Mobile Gastfreundschaft

Here is a great article on pop up kitchens. With the trend towards food trucks ( which we posted on face book last week) you can see that mobile food is on the rise.
Mar 23, 2012 2:01 pm

A pop-up kitchen on wheels

By Laila Gohar
Vienna-based architects Anna Rosinke and Maciej Chmara of Stadtpark Collective took the pop-up restaurant craze a step further with the creation of the mobile gastfreundschaft (German for mobile hospitality.)
The mobile installation is made up of a sink and gas hob, a sideboard and a folding table with 10 stools. Rosinke and Chmara explain that that Mobile Gastfreundschaft is a means to create awareness around community responsibility and self-initiative in public space — “The city, as a space that does not belong to anyone, but at the same time to all.” We’re with that. And hey, it looks a lot cooler than a rickety street-meat food cart.
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How I Invited Julia Child Into My Office by Sara Kate Gillingham-Ryan

I was very fortunate enough in my career to have met Julia while at Disney. She signed my cookbook and one of my boys chefs jackets. I hold it dear to my heart. This was an article that Cindy gave me that I thought was fantastic. What is even better is the author. I – well Cindy did- discovered an excellent article, a great blog post and an informative website-http://www.thekitchn.com/. Now what’s wrong with that? I hope you enjoy it as much as I did.

March 1, 2012
How I Invited Julia Child Into My Office

Julia Child on set
If you’re alone in the kitchen and you drop the lamb, you can always just pick it up. Who’s going to know? -Julia Child

When I was in the fourth grade, I had an assignment to create a product, make its packaging and then pull off an advertising campaign for it; a bilboard, radio ad, magazine ad, and a television commercial. I created Food Fix, an edible tape you could use to repair broken food. The prototype was really just a wad of Saran Wrap re-rolled around some gadget from my extensive Lego collection and the ad campaign was pretty rogue.

I had seen enough episodes of Julia Child’s The French Chef to know that Julia had a mischievous spirit and a laissez faire habit of dropping and flinging things around the kitchen, so it was only logical that I would make her my Food Fix spokesperson, and only logical that I would play her in my radio and TV commercials. I’m pretty sure I was the only fourth grader who knew who she was. I’m not even sure Mr. Woolsey, my teacher, had any idea what I was doing.

Fast forward to my life now, as a food writer and recipe developer: I work a lot from home, as I imagine Julia did.

Continue reading Julia Child Lives in My Office…

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Sara Kate Gillingham-Ryan
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Playing Kitchen Detective Home Cooks Try to Recreate Family Recipes; What Did Grandma Put in Her Kugel?

I came across this article and I felt it was necessary to post. We are losing our ancestral recipes and heritage and flavors. We need to recreate and save these heirloom foods for future generations.

New York Article:
When Joseph Mooney saw the 1949 vegetable grater, he knew he had to have it. The hand-cranked Mouli Julienne was just like the one his mother used to shred cabbage for her coleslaw. Hit by a wave of nostalgia, he bought it and hit the kitchen. The shreds of cabbage came out exactly as he remembered. Now he is at work on the dressing—a homemaking secret his mother didn’t reveal before she passed away. “The Mouli is one of a whole menu of things I miss about her,” says Mr. Mooney, 59, a former nonprofit finance manager in Baltimore now working in home renovation.
There’s a new obsession at the intersection of genealogy and foodie culture—reconstructing beloved, long-lost family recipes. Fueled by nostalgia and thrift, legions of eaters are returning to the kitchen for some food detective work, searching for the half-remembered dishes they grew up sharing at the family dinner table.

Fueled by nostalgia, legions of eaters are returning to the kitchen to recreate fond dishes from their childhood made by older relatives. Leslie Yazel on Lunch Break looks at the techniques people are using to recreate their favorite recipes.
“As people become more accustomed to cooking in their own kitchens, they start looking for [the dishes] they have fond memories of,” says Sgt. Maj. Mark Warren, 47, the U.S. Army’s senior chef who trains military chefs in Fort Lee, Va., who has researched several family recipes.
He tried for years, without success, to reproduce the lobster bisque his mother made when he was growing up in Florida. When he complained to his brother, his brother asked for the list of ingredients. “Cognac?” his brother said. “What is that? She never used brandy in anything.” He suggested using dark rum instead, and like magic, the bisque acquired his mother’s signature Caribbean tang. “That was the missing link,” Sgt. Maj. Warren says.
An aroma, identified in the brain’s limbic system, can trigger an emotional memory, but it takes hard work in the kitchen to put the right ingredients together in the right proportions to produce the ancestral potato salad, pasta sauce or crumb cake. Family recipes often originate with a matriarch who isn’t around to reveal the kitchen tricks learned from the previous generation. As a result, many modern cooks must start from scratch.
The first step is to develop a flavor profile. When Eric Zaidins set out to recreate his grandmother’s kugel, the sweet noodle casserole he’d eaten as a teenager in the 1970s, he recalled as many specifics as he could. The kugel was on the dry side, and it was sweetened with raisins and decorated with maraschino cherries. He wrote a letter to his Aunt Phyllis to find out what she knew; she supplied a partial list of ingredients.

Next Mr. Zaidins scoured Jewish cookbooks and recipe websites and came up with a dozen similar-sounding recipes. He and his wife, Mindy Hermann, a registered dietitian, eliminated recipes calling for cream cheese or farmer’s cheese, two ingredients they knew his grandmother didn’t use. They found several recipes that seemed close, altered proportions based on their recollections and came up with one new recipe.
They nailed it. “It tasted just like my grandmother’s kugel,” says Mr. Zaidins, an attorney in Mount Kisco, N.Y. “It was very strange.”
It helps to consider the cook’s personal tastes and financial means. Often, frugal homemakers would refrain from using a lot of butter or cream in everyday cooking because they were too costly, Ms. Hermann says.
David Chenelle, a 51-year-old catering chef in San Diego, says it is valuable to do cultural research, to see “what culinary influences could have possibly affected the recipe.” He sometimes goes to used bookstores and thumbs through old cookbooks and newsletters from women’s clubs and other organizations. Vintage booklets from makers of branded ingredients like flour and gelatin can be excellent sources too. When Mr. Chenelle was working on an heirloom recipe for tourtiere, a French Canadian meat pie, he used venison instead of pork after learning that venison was widely available to his Quebec ancestors.
After narrowing in on ingredients, try recalling techniques. That will usually mean ignoring recipes that make use of a food processor. Consider using a hand-operated food mill, rotary whisk or potato masher to achieve the right consistency.
An heirloom recipe doesn’t have to be complicated. In reality, most mid century American home cooks didn’t rely on fancy ingredients, says George Geary, 50, a culinary instructor in Corona, Calif. When recreating his grandmother’s fudge cake for his father, Mr. Geary stuck with ingredients that were widely available in the 1940s, including cocoa powder and mayonnaise. He used his grandmother’s balloon whisk to mix it and covered the finished cake in powdered sugar. “Simplicity was a big factor,” he says.
Last year, Barbara Magro self-published a family cookbook, “Recipes to Remember,” after her mother received a diagnosis of Alzheimer’s. When she spoke with her own mother, Ms. Magro, 54, explained that the family needed to preserve these recipes and she was taking on the project.
Simply copying down a recipe isn’t enough to truly capture an heirloom dish, Ms. Magro says. Decades ago, home cooks prepared well-loved dishes so often that they operated on instinct. Measurements and instructions may be vague. Ms. Magro spent six years perfecting her mother’s techniques. “She’d tell me to just throw in a little Parmesan cheese—they go by intuition,” she says. Take notes of relevant anecdotes and alternative ingredients, she adds.
Some people turn to professional help. Nicole Juliano Peranick, 30, is a Jersey City, N.J., pastry chef whose catering firm With Love From the Cupboard started a “recreate a recipe” service last October. She recommends using vintage baking pans and warns against improvising, which often works for savory dishes but not for baking. When preparing her family’s Christmas cookie recipes, Ms. Juliano Peranick follows an old recipe for German Springerle biscuits, which her grandmother tore out of a newspaper; it calls for anise seeds and grated lemon rind. She uses her grandmother’s vintage Springerle rolling pin, which presses cookie cutter-like shapes into the dough.
Sharon Greenwood, 60, of Weslaco, Texas, tried using a brand-new nonstick loaf pan to make her 84-year-old mother-in-law’s banana bread. The results were too rich, so Ms. Greenwood was off on a hunt for old loaf pans. The recipe is proportioned for long, narrow vintage aluminum pans, which yield evenly baked loaves with browned sides, she says. She found the pans on Internet crafts website Etsy, in a vintage cooking-supplies shop called Laura’s Last Ditch. She bought five and still needs three more—enough for her adult children and herself. “We’re all trying to learn those special tricks,” she says.
This Easter will mark Ruth Clark’s 17th attempt at her grandmother’s lamb-shaped cake. Ms. Clark, 32, writes the The Mid-Century Menu blog from Midland, Mich., and every Easter since she turned 16 she has used a vintage lamb mold she inherited from her grandmother to bake the cake.
Last year, the lamb ended up on its side. Ms. Clark says she won’t give up. “It’s something where you love that memory so much that you don’t want to let it go,” she says.
Recipes


Nana Esther’s Lokshen Kugel Recipe
(courtesy of Mindy Hermann and Eric Zaidins)
Yield: 8 servings
Ingredients:
1 pound wide egg noodles
2 large eggs, beaten
16 ounces (2 cups) small curd cottage cheese
2 Tablespoons margarine, melted, plus margarine to grease a casserole dish
2 Tablespoon sugar
1/2 teaspoon salt
1/2 teaspoon cinnamon
1 teaspoon pure vanilla extract
1 cup raisins
1/4 cup maraschino cherries, sliced

A written recipe is a treasure but may still require a few trial runs.
Directions:
1. Cook noodles, following package instructions.
2. While the noodles are cooking, combine remaining ingredients excluding the cherries.
3. Drain noodles, shock in cold water; drain again.
4. Grease a 9×13-inch casserole dish.
5. Combine noodles with the cottage cheese mixture. Pour into casserole dish and decorate the top with the sliced cherries.
6. Bake at 350°F for 1 hour or until browned.
7. Serve warm.

Chicken Sweet & Sour
(reprinted from “Recipes to Remember” by Barbara Magro)
Yield: 4 to 6 servings
Note: If an electric frying pan is not available, use a regular skillet on top of the stove but raise the heat as the chicken starts to brown.
Ingredients:
1 stick butter
2 cloves garlic, chopped
1 whole chicken, cut up into pieces (or substitute wings, legs and breasts for a whole chicken)
3 teaspoons parsley
3 teaspoons sugar
3/4 cup wine vinegar
Directions:
Heat an electric frying pan to 350 degrees.
Add half the butter and the garlic. When garlic starts to brown, add half the chicken and half the parsley. As the chicken begins to brown, turn up the heat and add a teaspoon of sugar while constantly turning the chicken so all sides brown. Once it is browned, remove the chicken from the pan and place in a warm serving dish.
Put the remaining chicken and butter into the frying pan. Add another teaspoon of sugar and brown the chicken on all sides.
Return all the cooked chicken to the frying pan and add the remaining sugar, parsley and wine vinegar. Cover and simmer 20 minutes.
Granny’s Banana Bread
(courtesy of Sharon Greenwood)
Yield: 2 loaves
Special Equipment: 2 loaf pans 10 1/4 inches long, 3 5/8 inches wide and 2 5/8 inches deep
Ingredients:
2 cups sugar
1 1/4 cups corn oil
2 eggs
2 teaspoons vanilla
2 1/2 cups flour
1 teaspoon baking soda
1 teaspoon salt
3 large or 4 small over-ripe bananas, mashed (skin should be black and the flesh mushy)
1 cup pecans, chopped
1. Preheat oven to 350 degrees. Grease and flour two loaf pans.
2. Beat sugar and oil together on medium speed until well-beaten. Add eggs and vanilla and beat thoroughly.
3. Sift flour, baking soda, and salt together, then add gradually to the sugar mixture, beating only until dry ingredients are no longer visible after each addition.
4. Add bananas and pecans. Do not over-beat the dough.
5. Pour mixture into greased and floured pans.
6. Bake at 350 degrees for 45 to 55 minutes, or until a toothpick comes out clean, and loaves have a dark, golden brown top crust.
Write to Alina Dizik at alina.dizik@dowjones.com
A version of this article appeared Feb. 23, 2012, on page D1 in some U.S. editions of The Wall Street Journal, with the headline: Playing Kitchen Detective.

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Screen Cuisine

A lineup of food-happy films to watch in 2012!

This article is from one of my favorite sites: Tasting Table. I’m on this daily learning about what is happening across our nation on food. I heard about “JIRO DREAMS OF SUSHI” and I would guess to say that you need to go see this film and the others listed. Listen, food, flavors and passion are my mantras, however, I guess I need to fit film in there somehow.

Tasting Table NATION

Enjoy this story from our archive, originally sent to TT members on 2/1/2012.

Screen Cuisine

A lineup of food-happy films to watch in 2012

The only thing we like better than eating or making food is looking at it.

So we’ve combed through the movie-season mire and unearthed the most appealing culinary-related plotlines of the moment. Here, your cinematic crib sheet:

Grow!: Agriculture, an industry in which the median age is 57, has a fresh set of devotees, a new breed of young people who have taken up farming. This film follows 20 educated, young professionals who have left the city to farm. Find a screening

The First Season: From a producer of Boardwalk Empire, this film casts a starker view of the realities of farming. A couple uses their life savings to buy a defunct dairy farm and quickly realize that making a living by milking cows is nearly impossible. Premiere: January

Perfect Sense: Ewan McGregor dons chef’s whites for this thriller in which he plays a chef who falls in love with an epidemiologist just as an epidemic eliminates people’s senses. The film offers creative scenarios of a world without taste: a restaurant critic that bases his reviews on texture, and a world in which people will eat anything–flowers, lipstick and more–to stay alive. Premiere: February

Jiro Dreams of Sushi: Jiro Ono is 85 years old and has dedicated his life to the art of sushi. Working from a slip of a restaurant in a Tokyo subway station, he’s considered by many to be the best sushi chef in the world. Director David Gelb captures Ono’s dedication and his relationship with his son (and successor). Premieres: March

Somm: This film tracks the journeys of four wine professionals as they prepare to take the Master Sommelier examination. With one of the lowest passing rates in the world, the test is infamously difficult. The creators were granted unprecedented access and have documented a fascinating glimpse into the passionate, esoteric pursuit. Premieres: April

http://www.tastingtable.com/entry_detail/national/7084

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Talking Points from the Food Republic

The Food Republic is a great site for food, recipes and most important, information about our craft. These are some of the items that they are talking about and so should we.

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Quick Tip for the Day by CHeF Andy

CUT THE SALT and add flavor with these salty alternatives: White Miso, Spice blend (salt-free), Low-sodium Tamari or Granulated Seaweed!

This was a great tip I came across by Whole Foods Twitter. If you have a Twitter account I would definitely follow them. Very good recipes and ideas for every day living.

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Good Food Jobs

I found a very interesting job site for those of us in the food industry or for that matter, anyone looking for a position.

Follow this link for your next position~ http://goodfoodjobs.com

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Twinkies!

Great article by Mark Bittman on the infamous Twinkie. Who would have imagined that the “Twinkie” was going out of business! Come to think about it, when was the last time you had one?

The New York Times~The Opinion Pages

Mark Bittman – On Food
January 18, 2012, 1:55 pm
Some Comments on the Rise and Fall of Twinkies
By DANIEL MEYER
Sony PicturesHarold Ramis as Egon Spengler, Ghostbuster.

The third-to-last of the nearly 40 ingredients that make up a Twinkie is listed on the package as “sorbic acid (to retain freshness).” It’s the only ingredient that comes with an explanation of its purpose, as if it’s essential for us to understand that this Twinkie is as good as it was when it was made.

While Twinkies themselves may not degrade much over time, their cultural weight certainly has. They’re no longer a lunchbox staple or an American icon, and as of last week (as Mark writes here) the Hostess company (maker of Twinkies) has filed for bankruptcy protection yet again.

James Dewar, a baker for the Continental Baking Company, invented Twinkies in 1930. He noticed that the machines and pans used to make the company’s cream-filled strawberry shortcake were only employed during strawberry season, so he conceived of a shortcake filled with banana cream that could be made and marketed year-round. So Twinkies were born out of the hard-and-fast limitations of seasonality.

Continental switched from banana cream — originally made with real bananas and real cream — to vanilla cream during World War II, when bananas were rationed. While the “original” version is occasionally reintroduced, vanilla “cream” Twinkies are the ones that charmed their way into the heart of American culture and diet.

In the ‘50s we watched Buffalo Bob Smith “make” Twinkies on “Howdy Doody,” clumsily combining the pasty white ingredients in a pan, and “alakazam presto” emerging with a pristine plastic package of “golden sponge cake with creamy filling.” In the ‘70s we let “Twinkie the Kid” lasso our children all the way to Twinkie Town, and in the ‘80s we learned that Twinkies were not only wholesome, but slightly sexy.

In 1978 we discovered, above all, that Twinkies were a viable defense for murder. And although the actual importance of Twinkies in the notorious “Twinkie defense” of San Francisco Supervisor Dan White has been distorted and inflated over time, as if in a game of telephone, the phrase is nevertheless ingrained in the American lexicon.

Now that Hostess is in trouble once again, we’re grieving through recollection and nostalgia, humor and haiku. Some of us are even going in for one last round of Twinkie sushi, Twinkie tacos or Twinkie tiramisu.

I refer to “we” and “us” as if I were part of the America that grew up with Twinkies always on the brain and on the table, but truth be told I am not. I was born in 1986 and have little fondness or nostalgia for Twinkies, which I think is part of the problem that Hostess now faces.
Courtesy of familyguy.wikia.comThe Keebler Elves appear on an episode of “Family Guy.”

The dessert snacks that kids of my generation wistfully remember tucked away in our Captain Planet lunchboxes are Gushers, Fruit Roll-Ups, Fruit by the Foot, Shark Bites and Dunkaroos, much more, I think, than Ho Hos, Ding Dongs, Sno Balls, Zingers and Twinkies. We grew up with Tony the Tiger, Chester Cheetah and the Keebler Elves, but we’re not well-acquainted, if at all, with Twinkie the Kid.

Over 80 percent of respondents to a CNN poll say they haven’t eaten a Twinkie in at least a few years, and for most it’s been more than a decade. (I can only remember eating one once, in the car on the way home from summer camp.) Of course, in the days after Hostess filed for bankruptcy, I could not help but do as so many others have done: I ran out to the store to buy a Twinkie. The mini-mart in my hometown didn’t have any. At CVS I got the very last pack on the shelf. (“Yes,” said the cashier, “I have noticed a lot of people buying Twinkies lately.”)

Eating a Twinkie, as I did for the second time in my life on the train back to New York, is like biting into a different era. (And given Twinkies’ mythic longevity, perhaps that’s exactly what I did.) It’s filled with all sorts of cultural meaning that I can’t quite access because it was never my own. To me, a Twinkie isn’t filled with nostalgia, but with overly sweet and surprisingly dense fluff.

Somewhere along the way Hostess decided to trade on its iconic status rather than reimagining itself for the next generation of lunchbox-toting kids and lunchbox-packing parents. While there is now a run on Twinkies fueled by sentimental longing for the past, I’m afraid for Hostess it may be too little, too late.

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